About this Webinar September 27, 2018 at 3:00PM When speaking to decision-makers, particularly public sector officials, the subject of return of investment in public dollars frequently arises, along for the need for easy-to-read data from reputable sources as evidence. The Arts and Cultural Production Satellite Account (ACPSA) was developed through a partnership with the Bureau of Economic Analysis of the United States Department of Commerce (BEA) and the National Endowment for the Arts (NEA) in a concerted effort to illustrate the economic impact of the arts and culture sector. ACPSA allows users to track economic activity, as well as the overall impact of arts and culture on U.S. And state economies. Using the 2015 ACPSA data, the National Assembly of State Arts Agencies (NASAA) then developed an interactive dashboard that allows you to explore state-level ACPSA data through visually impactful charts and figures. After delving deeper into the impactful ACPSA data and resources from the NEA and NASAA, state arts leaders will discuss how they are already using the tools in their programmatic, policy, and outreach work.
Learning Objectives:. Attendees will learn about the Arts and Cultural Production Satellite Account methodology and results. Attendees will explore the National Assembly of State Arts Agencies dashboard. Attendees will receive examples of how to apply research in policy and outreach work This presentation is jointly curated by and the, with special remarks from the. Sunil Iyengar Research & Analysis Director, National Endowment for the Arts Sunil Iyengar directs the Office of Research & Analysis at the National Endowment for the Arts.
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Since his arrival at the NEA in June 2006, the office has produced more than 25 research publications, hosted several research events and webinars, twice updated the NEA's five-year strategic plan, and overseen a new and expanded survey about arts participation. In that time, the office also has created an arts system map and long-term research agenda, and has launched a research grants program. Sunil also chairs the Interagency Task Force on the Arts and Human Development. Some of the NEA’s most recent research includes Valuing the Art of Industrial Design (2013), The Arts and Achievement in At-Risk Youth (2012), An Average Day in the Arts (2012), and The Arts and Human Development (2011). Sunil and his team have partnered with organizations such as the Brookings Institution, the National Academy of Sciences, and the National Institutes to Health to study the arts in relation to such topics as economic development and the health and well-being of older adults. For a decade, Iyengar worked as a reporter, managing editor, and senior editor for a host of news publications covering the biomedical research, medical device, and pharmaceutical industries.
He writes poetry, and his book reviews have appeared in publications such as the Washington Post, New York Times, San Francisco Chronicle, The American Scholar, The New Criterion, Essays in Criticism, and Contemporary Poetry Review. Iyengar has a BA in English from the University of Michigan in Ann Arbor. Website: Twitter.
Ryan Stubbs Research Director, National Assembly of State Arts Agencies Ryan Stubbs directs NASAA’s research team to provide high-quality information for the benefit of state arts agencies and the arts and culture field. His areas of expertise include public funding for the arts, state policy and the creative economy as well as state arts agency funding, services, operations and grant making. He oversees a research portfolio that includes dynamic data visualization tools, field surveys and research customized to the needs of state arts agencies. Ryan also represents state arts agencies and NASAA at state, regional and NASAA research forums and serves as NASAA’s primary research liaison to federal agencies, foundations, consultants and scholars conducting research on public support for the arts. Ryan has more than 10 years of professional experience in the field of arts research.
Prior to joining NASAA, he served as the director of research for the Western States Arts Federation, where he specialized in analyzing state and local creative economy data, implemented web based research technology and launched an initiative aimed at supporting independent music. Ryan has experience in state government as a capital construction analyst for the Colorado Department of Higher Education and in economic development as a business manager for Adams County, Colorado.
He holds master’s degrees in public administration and urban and regional planning with an emphasis in economic development planning from the University of Colorado, Denver. Ryan serves on the board of directors for his local community development corporation and is on the steering committee for the Cultural Research Network. Ryan considers himself a musician of questionable accomplishment and lives in Mt.
Rainier, Maryland, with his daughter, Wren, and his wife, Robin—an unquestionably accomplished visual artist. Website: Twitter. Crystal Young-Otterstrom Executive Director, Utah Cultural Alliance A two-time Enlightened 50 (E-50) recipient from the Community Foundation of Utah, Crystal Young-Otterstrom is a certified Utah Change Leader, was named one of Utah Business Magazine’s 40 under 40 in 2013, and has been featured as a Utah’s Educated Woman of the Week and profiled in the publication, IN Utah This Week. Crystal is the Executive Director of Utah Cultural Alliance, the statewide advocacy voice for the arts, humanities, and cultural businesses of Utah. C Crystal serves on the boards, advisory councils, or steering committees of Salty Cricket Composers Collective (co-founder and board chair), Utah Democratic Party Treasurer (an elected position), Americans for the Arts’ SAAN Council (State Arts Advocacy Network), Utah Women & Politics PAC, LDS Dems of America (emeritus co-chair), LDS Dems-Utah (emeritus chair), one of the managing editors of MormonPress.com, BYU Political Affairs Society - UT chapter (co-chair), Utah Arts & Cultural Coalition, Alliance for a Better Utah, Musinia, UTOPIA Early Music, and Planned Parenthood Association of Utah.
Crystal serves on the School Community Council of Emerson Elementary, which is the decision making body for the school. Past work experience: Crystal spent eight years as a marketing, campaign, and event planning consultant at Brand.Pink and was the Audience Development Manager at Utah Symphony Utah Opera for seven years before that. Crystal is a composer and coloratura soprano.
She earned her bachelors in music theory with minors in humanities, economics, and marketing as an undergrad at Brigham Young University and earned her masters in musicology and composition from the Aaron Copland School of Music (Queens College, City University of New York). Website: Twitter. Garbo Hearne Past Chair and Chair, Arkansas Arts Council and Arkansans for the Arts Garbo Watson Hearne owns Hearne Fine Art and Pyramid Art, Books & Custom Framing/Hearne Fine Art, located in the historic Dunbar neighborhood in Little Rock, Arkansas.
She developed Hearne Fine Art in the New York and Atlanta markets and expanded its services to include cataloguing and fine art appraisals. In 2005, Hearne earned her certification in appraisal studies from New York University.
In 2008, she and her husband, Dr. Archie Hearne, published Collaborations, Two Decades of African American Art: Hearne Fine Art 1988 – 2008. Before opening Pyramid Gallery in 1988, Hearne worked as a pediatric intensive care nurse at Arkansas Children’s Hospital. She is a board member of the Mid-America Arts Alliance has served on the board of the Arkansas Humanities Council. She received a B.S.N.
In nursing from the University of Arkansas at Fayetteville. Website: Twitter.
Bureau of Economic Analysis Arts and Cultural Production Satellite Account: National Endowment for the Arts’ U.S. Arts and Cultural Production Satellite Account Arts Data Profiles: National Assembly of State Arts Agencies’ Creative Economy State Profiles: National Assembly of State Arts Agencies' Creative Economy Resources: Americans for the Arts’ Creative Industries: Business & Employment in the Arts reports: Americans for the Arts’ Arts and Economic Prosperity 5 Report: State of Utah Cultural Reports.
In a still-sluggish job market, for many people job hunting can be a frustrating series of nos and non-responses. To combat that, many job seekers with coding and design experience go to extreme creative lengths to stand out and demonstrate their skills in a tangible way. From designing a personal Amazon page complete with reviews to making a candy bar wrapper to showcase job skills, here are some of the most creative resumes we’ve ever seen. Omondi Abudho designed a resume that folds into a box.
Is a Kenyan art director and photographer who is well-known for his photography, but has also picked up quite a bit of attention for his resume. He was inspired one day when he was making a routine purchase. “Believe it or not, I got the idea while buying a pack of coffee,” he says. “Java Coffee, one of Kenya’s best, to be exact.” He designed a resume that potential employers could cut out and fold into a box, complete with creative “nutrition” facts. The result was immediate. He got three good job offers from top agencies in Kenya.
He’s currently a creative partner in Nairobi. Simone Fortunini modeled his impressive resume after Google Analytics. An Amazon online marketing manager, created a resume that actually looks like a Analytics page. Fortunini tells us that since his work involves online marketing and advertising campaigns, Google Analytics is a basic tool that those in his industry work with. He wanted to create a resume illustrating his understanding in online marketing, graphic design abilities, and HTML skills. “My intent with this project is showing both sides of my professionality in digital: a good technological understanding and an online marketing knowledge,” Fortunini says. “Trying to analyze my professional path like a ‘web site performance’ has been hard, but helpful to get an objective point of view about current achievements and future goals.” Under his “Experience” section, you can click on the different positions he’s held on the left-hand side, which will then allow you to see more details about the projects he’s worked on and the skills he developed in each position.
Kelly Weihs created a resume made to look like a Wild West wanted poster. Kelly Weihs ‘s resume stands out from the crowd thanks to its vintage, historical look. “I wanted to have fun creating a resume that was different from everyone else,” she says.
“I love historically inspired design. For me, it’s just a lot of fun to look to the past for ideas.” She applied to her current place of employment using this resume, and immediately saw results. “My current employer quite liked the resume,” she says. After helping his friend design this resume, Rick Mundon now sells resume formats online.
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Rick Mundon Mundon created for his friend, but received so much feedback from his design that he decided to launch, a creative design company that does design work and creates creative resumes, business, and web sites for job hunters. He tells us that even if resumes are creative, they still need to be job-specific: “You’re not out there to get any job.” He says that employers need to be able to find your past work experiences immediately. Mundon also created this resume for Jeffrey James to show that he’s in the music industry. And it worked.
“This particular resume did get him the job he wanted,” Mundon says. “A resume’s design is much more important than how ‘pretty’ it is; the overall goal is to get these people a job. If the most beautiful resume doesn’t get our client an interview, then it’s worthless.” This resume was designed for his career in music. “With Jefferey’s r esume, I wanted the viewer to know he’s in the music business, know that he works hard, showcase his image in a creative way, and most importantly, display his experience,” says Mundon. Craig Stapley wanted to showcase his personality. “I really wanted to create a resume that was different,” says when asked about his inspiration.
“Something that was memorable when it came across a desk, which was perhaps littered with resumes that all looked the same. A resume can be so much more than a biographical ‘humdrum’ of skill-sets, education, and accomplishments.” Stapley’s resume landed him a job as creative director at iFit Fitness Technology, one of the world’s largest fitness companies. “I love where I am, who I work with, and what I do,” he says. Merged social media with an infographic and arrived at this resume.
“I created this right around the time that Google+ came out,” he says. “I wanted to marry the idea of an infographic with the way that I was seeing my social information displayed in Google+. I took my job history, Klout score, LinkedIn recommendations, and education and wanted them to appear in a form that was familiar to people.” The resume was good for his career, and it also earned him a lot of attention outside of his profession. “This was something that was more as a side-project. As I’m now in IT, the type of infographic resume I created, especially in the South, doesn’t do a whole lot of good for IT hiring managers.
However, I did have quite a bit of comments outside of the job market about it.” Elliot Hasse created this resume before infographics became popular. Didn’t know whether his creative resume would be well-received, or completely rejected by potential employers. “I designed it back in college a few years ago to try and stand out from everyone else applying for graphic design jobs,” he says. “It was kind of a risk because it was before the infographics got popular.” But Hasse’s worries were premature. “I got a lot of immediate attention from my resume and it continued to spread across the Internet. Overall I got a lot of job offers and interest from employers, and I would say it’s even a great success.” We would say so, too. Hass as an art director at Factory Design Labs in Denver, Colorado.
Tells us she created this resume when she applied for a position at a company in the scrapbooking industry, and it was “tailored with that look and feel.” The pink stationery both contrasted and complimented the vintage typewriter print. Lara wasn’t offered the job, but she wasn’t too disappointed. The resume has earned her a lot of attention on Flickr. “I wasn’t actively looking for employment at the time,” she says. “I just came across the job announcement one day for the company and thought I’d try applying to see what would happen.” Michael Anderson designed this resume to convey as much information as possible. ‘s resume was born out of an epiphany.
“It occurred to me one day that a resume is just tagged temporal data, and that if I treated it as such, I could convey loads more information,” he says. The resume is a creative and more colorful take on a standard display of data. “I have had a few job offers, but I only really took one, as a graphic design chair at a small school in Pennsylvania, and shot portfolio photos for students from a few programs,” Anderson says.
Michael is now working in his family’s business, but his resume still draws a lot of attention online. Riccardo Sabatini wanted to breathe life into the traditional CV. Is an Italian graphic designer born and raised in Italy. He is currently based in Florence and focuses on digital art and typography. Sabatini created his resume in response to a question.
“Why does the curriculum vitae have to be displayed in an ugly and boring version?” he asked. “Especially if your work is to make things nice and viewers curious.” He designed several versions of this resume in multiple colors while maintaining the same brand, and it gained him a lot of attention on the internet. “More than I expected,” he says. “And not just from the ones I’ve sent to employers, but also from people who have seen it on my portfolio and found it interesting.” Liagi Ann Jezreel Ramilo wanted to show that she loves to doodle.
Liagi Ann Jezreel Ramilo Ramilo is currently a and tells us that she wanted to show in her resume that she’s always loved to doodle, as long as she has a ballpen and paper, “whether it’s a ticket, a tissue paper, or any kind of paper as long as she can write on it.” “I posted it my deviantart account to showcase my design, and I was surprised when I received lots of messages in my personal email and even in my Facebook account from people around the world telling me that they saw my creative resume and how they liked it,” she says. This candy bar resume went viral on Reddit, and got its creator a marketing job. Dubost’s page, which went viral and racked up 1.5 million views over the course of his job search, and eventually got him 150 job offers and finally a job as a tech product manager at rapidly growing New York startup Birchbox. The instantly recognizable format and the depth of detail (there’s everything from product dimensions to reviews from past employers) helped make it a hit and get him exactly the kind of job he’d hoped for. A Google-themed resume got Eric Gandhi an interview with the search giant.