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Matrox MXO2 Mini is the Missing Link in Your Tapeless Editing Workflow! Regardless of what tapeless formats you shoot on (P2, XDCAM, AVCHD, DSLR or H.264): what platform you use (PC or Mac, Workstation or Laptop) what NLE you edit with (Apple Final Cut Pro, Adobe Premiere Pro or Avid Media Composer) the MXO2 Mini is the perfect HD monitoring solution for you. No other hardware is as powerful, flexible, portable or affordable. With the Matrox MXO2 Mini you can monitor your timeline in full HD resolution on a flat screen HDTV via HDMI or component video. Matrox’s exclusive monitor calibration utility lets you turn your off-the-shelf HDTV into a professional broadcast monitor suitable for color correcting and color grading.

Matrox ISO recording also supports direct capture to H.264 on Matrox I/O products with MAX. Multiple Matrox I/O products can be used to provide multi-channel capture for streaming and ISO recording. Support for Telestream Wirecast for Mac OS is provided via QuickTime. This feature is not available right now. Please try again later.

Using the Matrox MXO2 Mini as a preview output to an HDMI monitor allows you to use your workstation to spread your workspace over multimple computer monitors. The MXO2 Mini provides an additional full resolution HD output to your workflow. If you edit on a laptop, the MXO2 Mini gives you the same ability to output your timeline in full HD. For under $500, the Matrox MXO2 Mini is the MUST HAVE hardware for your Adobe, Avid, or Apple editing suite.

For just $599 the MXO2 Mini with MAX adds faster then realtime H.264 encoding! Affordable HDMI/analog video and audio I/O with Matrox MAX for Lightning fast H.264 encoding! Not only does Matrox MXO2 Mini MAX give you affordable HDMI and analog video and audio input and output for your favorite editing app, it also turbocharges your H.264 encoding for deliveries to the web, mobile devices, and Blu-ray – all in a convenient, portable breakout box. Only Matrox I/O devices deliver H.264 video up to 5 times faster without sacrificing quality If you’re delivering H.264 content for the web, mobile devices, Apple TV, and Blu-ray discs, you know how painful it can be to wait for the long encoding times needed to create high-quality video files using software only.

You might even be tempted to sacrifice quality for speed. With Matrox MXO2 Mini MAX, you no longer need to even consider making that trade off.

Get the most from your favorite apps Matrox MXO2 Mini amplifies your productivity with all the industry’s leading editing and content creation software for Mac and PC, as well as a wide variety of H.264 encoding, Blu-ray authoring, and streaming applications. Works great with Avid Media Composer & Symphony 6, Adobe Production Premium & Premeire Pro, Apple FCP & FCPX! Available Now at Videoguys.com! $599.00 I think it’s time to start talking more about one of the most cost effective tools you can add to your HD video editing arsenal – the Matrox MXO2 Mini. There are lots of great features in this mighty mite, and I’m going to use this article to tell you all about them. We’ve had great success in the past using an FAQ format to better explain new products and technology, so we’ll keep at it now.

What is the MXO2 Mini? The MXO2 Mini is a portable I/O (input/output) device. It supports both Standard Definition and High Definition footage. On the SD side you get composite, S-Video and Component input and output. For HD you get Component and HDMI in and out.

HDMI can of course also be used for SD footage, but I like to think of it as an HD interface. How do I hook up the MXO2 Mini to my computer? The MXO2 Mini is an external device that works with both desktops and laptops. It supports Windows (Windows 7, Vista & XP – including 64-bit) and Mac OSX (including Snow Leopard).

The MXO2 Mini comes with your choice of PCIe adapter card for your desktop or ExpressCard/34 card for your laptop or NEW Thunderbolt adapter ($299 coming in July) The Mini is flexible and portable. You can easily disconnect the Mini from one machine and attach it to any other, as long as one of the Matrox interface cards are installed in it. This means that you can use it with multiple machines, in different locations, in the field or in the studio. Just add an affordable adapter card (available for just $99.00 each) to any machine. It’s that easy and inexpensive! Matrox Delivers Thunderbolt Support for All MXO2 Devices! Matrox Video Products Group announced at NAB 2011 Matrox MXO2 devices featuring the all-new Thunderbolt technology developed by Intel® and brought to market with collaboration from Apple.

Thunderbolt technology is a high-speed I/O technology running at 10 gigabits per second that brings together high-speed data transfer and high-definition (HD) display on to a single cable. It is currently available on the Apple MacBook Pro and newly annonce iMac line.

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The Matrox MXO2 devices provide broadcast-quality video and audio capture, monitoring, output, and H.264 encoding for use with leading editing and content creation applications. What NLE software does MXO2 Mini Support? Matrox Hardware is “Triple AAA rated” Now Supports Avid, Adobe & Apple! The Matrox MXO2 Mini was the FIRST I/O device recommended by the big 3 NLE vendors Apple, Avid and Adobe. The MXO2 Mini with MAX is only one that gives you faster then real-time H.264 encoding!

That is why we say Matrox MXO2 family of products are AAA rated. No other hardware company delivers accelerated encoding and AAA connectivity! So whether you use PC or Mac; Desktop or Laptop; Adobe, Avid, or Apple, an MXO2 family I/O box is the right choice for you! Matrox MXO2 Mini for HD Monitoring with Avid Media Composer 5 Just as important was Avid’s announcement with Matrox that the MXO2 Mini can now be used as an HD monitoring device! That’s right, for under $500 you can monitor your timeline in full HD via your choice of either component video or HDMI. One important feature of Matrox MXO2 family of products that Avid editors are sure to appreciate is it’s professional monitor calibration tool.

Using this tool you can easily turn any flat panel HDTV into a broadcast monitor. Think about that. You can use an off the shelf HD LCD TV instead of spending thousands of dollars on an HD broadcast monitor.

With the money you save on glass, you can get that new DSLR you’ve been coveting so badly! Matrox Mini MAX hardware is now officially supported with Avid Media Composer 5.5! Matrox announced support for the newly released Avid® Media Composer® V5.5 editing system. Matrox MXO2 Mini turns a user’s HDMI screen into a professional-grade video monitor with the unique Matrox HDMI Calibration Utilty.

MXO2 Mini is a small, lightweight, external box which is ideal for file-based workflows in studio, on set, in the field and in OB vans. It provides HDMI, analog component, S-Video, and composite output and cross-platform support for Macs and PCs, laptops and workstations.

Users can also take advantage of the Matrox Vetura Capture application for quick and easy capture to Avid DNxHD or other popular Avid-supported codecs. Media Composer V5.5 adds support for new 720p and 1080p workflows with Matrox MXO2 Mini including the ability to select PsF or true P output in 1080p modes. “We spearheaded our openness initiative with the Matrox MXO2 Mini and this decision has proved very fruitful.

This platform has given Avid Media Composer release 5.0 an excellent HDMI monitoring tool for digital workflows,” said David Colantuoni, Director, Product Management, Avid Technology. “In addition, our new release of Avid Media Composer 5.5 brings new format and frame rate support and unique H.264 delivery options with Matrox MAX technology.

Our continuing relationship with Matrox is a benefit to our mutual customers.” MATROX MXO2 Mini MAX now with Real-Time Editing for ADOBE PREMIERE PRO CS5/ CS5.5 Matrox announced support for Adobe Creative Suite® 5.5 Production Premium software with the. The award-winning Matrox MXO2 devices provide cross-platform Mac and Windows support and can be easily moved among desktop systems in a facility, installed in an OB van, or taken on the road with a laptop. Key features include: full-resolution, full frame rate, multi-layer, realtime video editing via Matrox RT™ technology; lightning fast H.264 file creation for smart phones, iPad, the web, and Blu-ray via Matrox MAX™ technology; and professional audio and video input and output with 10-bit hardware up/down/cross conversion. In addition, the Matrox MXO2 devices ship with a variety of productivity enhancing applications: Matrox A/V Tools (PC) for fast capture/ playback of audio, video, and still frames, Matrox MAX H.264 Capture (PC) for direct capture to H.264 files, Matrox Vetura Capture (Mac) for quick and easy capture to a variety of QuickTime codecs, and Matrox Vetura Playback (Mac) for convenient playback of H.264 and.mov files.

“Having a range of I/O options is important for our customers,” said Ginna Baldassarre, senior product manager for professional video editing at Adobe. “The unique features of the Matrox RT technology such as hardware encoding to popular formats gives our customers more capabilities for both Macintosh and Windows. Combined with software innovations such as the updated Mercury Playback Engine in Adobe Premiere® Pro CS5.5, we jointly provide productivity advantages that positively impact nearly every area of professional editing and I/O.” “Content creators catering to the broadcast market, in particular, will benefit from the tight integration of the new Adobe Premiere Pro CS5.5 software with Matrox MXO2 devices to view closed captioning data of SD and HD timelines on HD-SDI, SDI, or analog SD monitors,” said Alberto Cieri, senior director of sales and marketing at Matrox. “In addition, they can simultaneously deliver HD and SD masters containing closed captioning.” The Matrox MXO2 platforms with MAX feature Matrox RT technology that enhances the Adobe Mercury Playback Engine to provide full-resolution, full-frame-rate, multi-layer, realtime video editing. Matrox RT technology is designed for use with or without the presence of GPU acceleration. It provides many of the benefits of GPU acceleration but works with any system, even laptops.

It optimizes your system to output to professional monitors at full-resolution and full-frame-rate. In addition, Matrox RT provides advanced realtime Matrox Flex CPU effects such as primary and secondary color correction, smooth speed changes, and many more! We have added much more detailed information about the Matrox MAX RT engine for CS5 later on in this article.

Videoguys’ Tech Note: We have received many requests and questions about MXO2 Mini supporting Sony Vegas Pro 9. We have passed this information to Matrox. Unfortunately, as of Sept 2010, these programs are not supported. If anything changes in the future we’ll be sure to let you know. What kind of HD workflows does MXO2 Mini support? The MXO2 Mini supports HDV, XD CAM, DVC Pro HD, P2 and uncompressed HD. With the MXO2 Mini you can go directly from your Final Cut or Premiere Pro timeline out to your HD monitor via component and/or HDMI.

I think it’s important to note that both of these outputs are active at the same time, meaning you can simultaneously preview your timeline on your HDMI equipped HDTV while recording to an HD deck via the component output. You can capture HD footage into your NLE via the MXO2 Mini’s HDMI or Component video input. Does MXO2 Mini Support ProRes? In fact you can capture directly into ProRes via the Mini’s HDMI or Component inputs if you have a fast enough Mac (4 cores or more).

While you edit, your ProRes HD timeline will play out directly via the MXO2 Mini’s outputs. Matrox supports all the new ProRes flavors introduced as part of the new Final Cut Studio 3 with the exception of ProRes 4444. How do you capture HD with Adobe Premiere Pro on Windows? MXO2 Mini gives you two options for HD capture in Adobe Premiere Pro. You can capture uncompressed HD or you can capture into the Matrox MPEG2 HD CODEC. The Matrox MPEG2 HD CODEC allows you to variably set the bit rate and has been used in Matrox’s Axio and RT.X line of products for years.

It is tested and proven in even the most demanding broadcast environments. Does Matrox MXO2 Mini support AVCHD? If you’re working with AVCHD, you can capture the footage using the MXO2 Mini via the HDMI or Component video input into ProRes with Apple Final Cut or the Matrox MPEG2 CODEC as mentioned above with Adobe Premiere Pro. The MXO2 Mini also supports CineForm NeoScene and NeoHD. You can’t use the Matrox MXO2 Mini to capture directly into the CineForm CODEC yet, but Matrox and CineForm are working together to add that support to the MXO2 Mini with CineForm’s NeoHD. For now, you need to convert your AVCHD files into CineForm’s CODEC and then edit them with Adobe Premiere Pro. This conversion is faster than realtime and an hour of AVCHD footage usually takes between 20-30 minutes to convert, depending on the speed of your computer.

Your CineForm timeline will then play out through the MXO2 Mini’s HDMI or Component video outputs. Videoguys’ Tech Note: Cineform NeoScene and NeoHD are available for the Mac but have not been tested with the Matrox MXO2 Mini with Apple FinalCut Pro at the time of this article. The advantage of using CineForm over native AVCHD is that it is a better compression for video editing. AVCHD is amazing and it packs a ton of exquisite HD footage into very small files. Unfortunately these files require a ton of horsepower to edit. Even with a powerful machine editing more then 2 layers of AVCHD footage becomes problematic. You’ll see sluggish timeline performance and jittery previews.

The CineForm CODEC is practically lossless. Your video will look just as spectacular, in full 1920 x 1080 resolution, only it will be much easier to edit. You’ll even be able to handle multiple layers of CineForm HD footage with filters and effects on a Core i7 machine. What does up/down convert and cross convert mean in the MXO2 Mini Specs? Great question and one that is causing lots of confusion.

The MXO2 Mini will allow you to convert from one format to another during capture or output. This is done on the fly utilizing the Matrox MXO2 Mini hardware at 10-bits. For example, if you have an HD timeline that you need to output to SD you can just use the Matrox MXO2 Mini to down-convert your HD footage to SD on the fly as you output and you won’t need to re-render your project.

Cross conversion means you can output a 720p timeline as 1080i and vice versa. This can save you a tremendous amount of time if your customer, client or boss requires a specific output format that doesn’t match your original footage. No need to re-render, just let the MXO2 Mini do the heavy lifting! Videoguys’ Tech Note: The MXO 2 Mini will not convert or accelerate the rendering of your timeline from one format to another. The MXO2 Mini does it’s conversion magic during capture or output. What is Matrox MAX Technology and why do I want it? Matrox MAX technology is a special hardware chip that gives you H.264 acceleration.

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There is a version of the Matrox MXO2 Mini with MAX that has this hardware built right into the box and is available for only $400 more than the standard MXO2 Mini. MAX allows you to encode your video to H.264 for Blu-ray, Flash or YouTube at faster than real-time!

How fast is it? Right now a fully loaded 8-core Mac Pro tower will take several hours to encode one hour of ProRes HD video to H.264 – with the Matrox Max it will take less then an hour! That’s right faster then real-time encoding – even on a slower Mac. At the 2010 NAB SHOW, Matrox announced that the MXO2 Mini with MAX would support the Adobe Mercury Playback Engine.

You may use a Matrox MXO2 family I/O device with Matrox MAX technology to tap into the Mercury Playback Engine and deliver multiple layers of AVCHD or DSLR footage with full speed, HD playback to an HDMI enabled flat panel display. Combine it with a CUDA graphics card and you’ll get an amazing level of real-time performance! Note: Initially the Matrox MAX RT Mercury Engine will be for Windows only. What is H.264? H.264 is an encoding standard used to produce the very highest quality Blu-ray and web based video. It is used by Hollywood and the networks to provide the highest possible image quality in the smallest possible file sizes. That means it is very highly compressed video.

As a result encoding your HD video to H.264 gives you the very best possible quality video but, unfortunately, H.264 encoding takes lots of computer power and rendering time. The MXO2 family of products with MAX technology massively accelerate your H.264 encoding. Can I buy the Matrox MXO2 Mini now and upgrade it with MAX later? When you purchase the MXO2 Mini you have to decide if you want it with or without MAX technology. Unfortunately you can’t upgrade an MXO2 Mini to a Mini MAX. The MAX chips are integrated into the main circuit board during manufacturing. If you decided to buy an MXO2 Mini without MAX now and you want to add it later, you do still have an option if you are using a workstation.

You can add the Matrox Compress HD card ($495) and it will deliver the full range of MAX features plus the added benefit of being able to encode in the background while you are using your MXO2 Mini for monitoring the output of your timeline! What is the difference between the MXO2 Mini and the other flavors of MXO2? The difference in the MXO2 family of products is the input & output options available on them.

The features, capabilities, performance and power of all of the MXO2 family of products are exactly the same. The MXO2 LE adds support for SDI I/O.

SDI stands for Serial Digital Interface and it is used with broadcast gear. If you do not have decks or camcorders that require SDI, then you do not need to step up to the MXO2 LE. The MXO2 Mini has everything you need!. If you need SDI then the MXO2 LE at under $1,000 is a fantastic choice. It also adds RS422 deck control and XLR Audio. The MXO2 adds additional audio I/O and SDI channels.

The MXO2 Rack adds even more audio I/O and genlock loop-thru in a rugged rack mount design for broadcast environments. YES What is the difference between the MXO2 Mini and the RT.X2 for Adobe Premiere Pro editors? This is a great question and one that we get all the time. The RT.X2 is a real-time hardware accelerator for Adobe Premiere Pro. That means that when you add certain effects, transitions, filters and layers to your timeline, they playback instantly in full resolution and full speed.

They do not require any rendering for playback. The RT.X2 was designed primarily for the HDV format. If you shoot HDV it is still a great product for you, especially if you have an older computer.

In a fully loaded Core i7 machine you will find that you can edit HDV footage pretty easily without an RT.X2 and whatever rendering you do need will be minimal. In this case, the MXO2 Mini is the perfect addition to your system to add the I/O you need, including HD monitoring from the Adobe timeline. If you’re editing with Premeire Pro CS3 or CS4 the MXO2 Mini with CineForm NeoScene will give you the fastest and most efficient AVCHD workflow. If you are going to upgrade and edit with CS5, the best solution for you the MXO2 Mini w/ Max technology! MATROX MXO2 Mini MAX now with Real-Time Editing for ADOBE PREMIERE PRO CS5 The Matrox MXO2 platforms with MAX feature Matrox RT technology that enhances the Adobe Mercury Playback Engine to provide full-resolution, full-frame-rate, multi-layer, realtime video editing.

Matrox RT technology is designed for use with or without the presence of GPU acceleration. It provides many of the benefits of GPU acceleration but works with any system, even laptops. It optimizes your system to output to professional monitors at full-resolution and full-frame-rate. In addition, Matrox RT provides advanced realtime Matrox Flex CPU effects such as primary and secondary color correction, smooth speed changes, and many more; along with a high-quality, highly-efficient MPEG-2 I-frame intermediate codec that streamlines working with CPU-taxing footage such as AVCHD and XDCAM.

Realtime Matrox Flex CPU effects with Adobe Premiere Pro The Matrox MXO2 platforms with MAX work in conjunction with the power of your CPU to perform a variety of advanced realtime effects including:. Realtime timecode The Matrox Flex CPU effects are also available in Adobe After Effects.

If you have a timeline in Premiere Pro with any of the Matrox Flex CPU effects and you copy/paste the timeline into After Effects, the Matrox effects will remain intact. This is a huge time saver, given that these effects are realtime in Premiere Pro. Matrox Flex CPU effects are also available for use with versions of the MXO2 devices without MAX, however, the effects may not perform in real time. Realtime primary color correction Primary color correction is a critically important effect for all productions, whether to achieve continuity when cutting between shots, ensure broadcast safe levels, or establish and emphasize a “look”. The primary color corrector provides basic proc amp control; three-way color correction complete with master, shadows, midtones and highlights control; input/output level control; and RGB curves control. Click on image for a closer look (22 KB) Realtime proc amp controls The Matrox MXO2 devices let you easily adjust four proc amp controls – hue, saturation, brightness, and contrast. Hue adjusts the tint of the colors in the image, saturation adjusts the vividness, contrast adjusts the difference in luminance between the lightest and darkest areas of the image, and brightness adjusts the level of black.

You can also use these controls to create special effects, such as black and white, in real time. Click on image for a closer look (22 KB) Realtime color match and color balance Colors can be corrected using nine parameters related to the black (shadow), midtone, and white (highlight) levels of your clips. You can easily match colors or balance blacks, whites, and grays against a reference shot in one simple step. Click on image for a closer look (34 KB) Reference Match Corrected Realtime input/output level control Using the histogram display and level controls, luminance levels can be remapped to maximize the dynamic range of a clip. For example, bright areas can be made brighter and dark areas can be made darker. Five parameters are available – black, white, and gamma levels on the input; and black and white levels on the output.

Auto white and auto black controls are also provided. Click on image for a closer look (25 KB) Realtime RGB curves control RGB curves control offers a fast, natural way to fine-tune the colors in your video. If, for example, you want to remove a blue tint from your video, you simply drag the blue curve down. With RGB curves you can also achieve wild color effects and other looks that are otherwise impossible. Click on image for a closer look (11 KB) Realtime secondary color correction The secondary color corrector is an advanced tool used for fine-tuning or dramatic effects creation. It offers all the controls found in the primary color correction filter with the added capability of limiting the effect to a specific range of pixels. Pixel selection can be done using color and/or brightness.

Using the simple garbage matte tool, you can also limit the effect to a specific region. The pixel selection can also be inverted.

The secondary color corrector lets you achieve effects such as color pass and color replace. It can be used, for example, to change the color of a dress, deepen the background sky color, or to achieve an effect similar to the film Schindler’s List where only one object or person remains in color while the rest of the image becomes black and white.

Click on image for a closer look (34 KB) Realtime chroma and luma keying The Matrox MXO2 devices provide one of the finest realtime chroma keyers in the industry. Clean blue- and green-screen keys are easy to achieve, even with HDV and AVCHD material shot in less than optimal lighting conditions. Your video is upsampled to 4:4:4:4 resolution and advanced noise reduction algorithms are used to ensure superior results. The auto key button intelligently adjusts the key with soft edges, spill removal, and shadow preservation. If needed, you can further refine the key with manual controls.

You can key on any color, not just blue and green. You can also invert the selection and display the matte being generated to fine tune the key. Click on image for a closer look (40 KB) The realtime luma keyer gives you low clip, low gain, high clip, high gain, and transparency controls. Click on image for a closer look (40 KB) Realtime speed changes You can use speed changes to emphasize special moments, extend the duration of shots to match voiceover timing, or enhance the feeling of dramatic shots. You can apply smooth slow and fast motion with field or frame blending.

Realtime transitions The Matrox MXO2 devices support standard dissolves, SMPTE wipes, and organic wipes with soft edges and color borders. Click on image for a closer look (37 KB) Realtime move & scale This effect lets you apply multiple 2D DVEs simultaneously in real time to easily set up picture-in-picture effects.

You can also use the move & scale effect to animate multiple titles in real time. Realtime SD clip upscaling in an HD timeline This effect is enabled by right-clicking on an SD clip in an HD timeline and selecting “scale to frame size”. It provides realtime playback of SD clips upscaled to HD to let you mix NTSC material into a 1080i at 29.97 fps timeline or PAL material into a 1080i at 25 fps timeline. It also provides realtime playback of 576p or 486p SD clips upscaled to HD to mix into a 1080p timeline. Realtime HD clip downscaling in an SD timeline This effect is enabled by right-clicking on an HD clip in an SD timeline and selecting “scale to frame size”.

It provides realtime playback of HD clips downscaled to SD to let you mix 1080i at 29.97 fps material into an NTSC timeline or 1080i at 25 fps material into a PAL timeline. Native Adobe Premiere Pro effects and transitions Some of Adobe Premiere Pro’s most popular native effects and transitions such as Opacity, Crop, Dip to Black, Black and White, Dissolve, and Additive Dissolve can be used in real time in SD. The Matrox MXO2 devices accelerate these effects and transitions in HD. Realtime timecode The MXO2 devices overwrite the Adobe Premiere Pro timecode filter so that it becomes realtime. The realtime time code effect lets you generate and overlay a time code counter on a video production.

You can use it to make a dub of source tapes with time code “burn-in” then use these tapes to log scenes, create edit decision lists, or get client feedback on your finished production. Click on image for a closer look (20 KB) Matrox MPEG-2 I-frame intermediate codec with Adobe Premiere Pro The Matrox MPEG-2 I-frame intermediate codec is a high-quality, highly-efficient 8-bit 4:2:2 video codec used mainly as a less processor-intensive way of working with long-GOP footage such as HDV, AVCHD, and XDCAM HD. The bit rate of the codec can be set between 50 and 300 Mbps, giving you the flexibly on each clip to make your own tradeoffs between video quality and storage considerations. It can be used with Adobe Premiere Pro in four ways:. as a full-raster capture codec when capturing from SDI or analog;.

as an intermediate editing format when working with CPU-taxing formats such as AVCHD to maximize quality as well as editability;. as a rendering codec to ensure that “flattened” files maintain high quality when exporting or printing to tape; and. as an effective archiving codec for material that may be used in future projects.

Videoguys’ System Recommendations for the Matrox MXO2 Mini with MAX and Adobe Premiere Pro CS5 The new CS5 version of Adobe Premeire Pro requires a 64-bit operating system, a multi-core processor, plenty of RAM and a fast GPU. We realize that you may need to upgrade your machine and recommend:. Windows 7 64-bit. Intel Core i7 processor. At least 6 GB, 12 GB is even Better. GTX285; GTX 470; NVIDIA Fermi based GTX 460 with 1GB RAM.; QuadroFX3800 or faster.

Although Adobe CS5 officially supports only a handful of GPUs for the Mercury playback engine, we have provided links on our blog to articles that show you how to enable MANY other nVidia cards for Mercury. The Matrox MXO2 Mini with MAX provides you with many of the real-time features and performance you are used to with your RT.X2 or RTX.100. This saves you money too because you will not need to purchase an expensive NVIDIA Quadro card. We still recommend an nVidia-based graphics card like the Fermi, because that is the overall direction Adobe is taking. If you need more advice on upgrading your existing computer or purchasing a new one for Adobe CS5 and the Matrox MXO2 Mini with Max, give the Videoguys a call 800-323-2325 (or email ).

We will be happy to walk you though your options and provide you with the most cost effective recommendations on achieving the best possible Adobe Premiere based NLE solution. Can I add MAX technology to my existing NLE solution? If all you want to do is add accelerated H.264 encoding to your existing Final Cut or Premiere Pro workflow you have two choices. If you want to add I/O or you edit with a Laptop the MXO2 Mini with MAX ($849.95) is a great choice. If you already have I/O or you have a completely tapeless workflow and you do not want I/O, the ($495.00) will work great for you.

It is a PCIe card that works in either a PC or Mac and gives you all of H.264 encoding acceleration of the MXO2 Mini with MAX. Videoguys’ Tech Note: GREAT NEWS! The latest driver release for the Matrox Axio and RT.X2 systems DO support the Matrox Compress HD so all Matrox users may enjoy the benefits of MAX Technology. Who should buy the MXO2 Mini? Anyone and everyone who edits HD footage using Apple Final Cut Pro on the Mac or Adobe Premiere Pro CS5 on Windows! You’re not going to find a more valuable or versatile piece of NLE gear. For under $500 you can monitor and output your HD projects in full resolution and you can use the MXO2 Mini for capturing HD footage as well. For those looking to deliver content via Blu-ray, Flash or web the MXO2 Mini MAX is the perfect choice.

You’ll save countless hours on your H.264 encoding times without sacrificing an ounce of video quality. Any AVID Editor using Media Composer 5 who wants an affordable device for HD monitoring! If you are in a broadcast environment and you require additional SDI support, the, and are excellent options that deserve your consideration. You’ll get the video quality and features matching more expensive gear from BlackMagic and AJA with the added flexibility and portability of Matrox. MAX versions of all of these products are of course also available. Do the Videoguys offer special bundles with MXO2 Mini and editing software, Blu-ray burners and storage?

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OF COURSE WE DO!! With the MXO2 Mini or Mini MAX with Final Cut Studio, Adobe Premiere Pro and Adobe Production Premium, Avid Media Composer, Pioneer BDR-205 Blu-ray burner and G-Tech G-RAIDs!